The obvious first question regarding the new Spy Hop Productions building in Salt Lake City is, “What is Spy Hop?” It sounds like an apt title for a James Bond 007 movie, but it's actually the name chosen for a non-profit youth digital media arts center that offers in-school and after-school youth in-care and satellite programming for students ages 9-19 of all skill levels. One of the new complex's signature features is a third floor performance space that's been enhanced through the inclusion of a glass bifold door from Schweiss Doors.

“We serve students statewide,” explained Kasandra VerBrugghen, Spy Hop's Executive Director. “We may have kids in one program that are coming from 10 different schools. Right now, we are working with about 100 kids. Typically, we see upwards of 18,000 kids a year and travel all over the state of Utah. We have 26 staff members. We also work in-school and after school, predominantly with teenagers, but also with elementary kids as well.”

The organization's new headquarters has been recognized for its outstanding design. Built by Okland Construction of Salt Lake City, Spy Hop was named by Utah Construction & Design as one of the year’s Most Outstanding Projects. Engineering News Record (ENR) regional editors selected two companies for 2020 Contractor of the Year honors. Okland Construction received one of the two awards in the Intermountain area. Atlas Architects, also of Salt Lake City, was assigned to do the design work.

The three-story concrete and structural steel soundproof building has a stage, recording studio, shops, classrooms, offices, lanes and a mentor’s studio. The new building has a 19-foot, 11-inch by 13-foot, 4-inch Schweiss Doors bifold glass designer door. The door opens to a third-floor performance space extending across the scenic mountain roofline. The engineered bifold liftstrap/autolatch door is equipped with electric photo eye sensors, manual latches with side-latch switches and an emergency backup system in case of a power outage.

“In the new building, because we have more space, we will be able to double-up and offer more programs,” VerBrugghen says. “We just started a new virtual reality online radio podcast program. The (Schweiss) door is part of our event stage called, ‘The Rooftop.’ When that door is open, the patio performance area is open to the indoor area that is about 4,000 square feet and the patio area is about 3,000 square feet. The door opens that whole space up, giving a beautiful view of the mountains. We’ll be using it for student showcases, performances, screenings and so forth.

“This door made sense because it allowed for a more open, efficient and practical space and a canopy. We’ll be able to rent that space out to other community-based organizations. It will serve as an earned-income source for us to help pay for the operating expenses of the building.”

She says the door is very utilitarian with a simple industrial design and clean look that aligns well with the building.

Jason Foster, Partner in Charge from Atlas Architects, designed the Spy Hop project and says there were two unique elements to the new media arts center: the dedicated third-floor event space that previously didn’t exist, and the Schweiss designer glass door.

“The enclosure for the inside event space is also one of the apertures that opens out onto the rooftop deck,” Foster says. “You typically see these large doors down at street level.”

Foster says this area has multi-functional properties – anything from renting the space out for a wedding with table seating inside, corporate lectures, fundraisers with indoor or outdoor seating or for Spy Hop concerts and youth events, such as film premiers and other performing student activities.

“In order to have those two spaces working together is why we chose to have this type of aperture,” Foster says. “It presents something that both looks good and functions how you want it. This is a big opening and a typical rollup door just doesn’t look good. In our climate here, spring and fall are really beautiful, we probably have a good eight-month season for usability of that door. The nice part, too, even if it’s raining, it provides a protective edge canopy.”

Foster says they researched what type doors were available before deciding on Schweiss.

“There are not a lot of players in this field, let alone manufacturers that can incorporate a glazed system within their unit,” he says. “Many don’t have the ability to customize. This door looks terrific and operates very nicely for a very large door.”

Cindy Bithell, project architect for Spy Hop Productions, commended Schweiss Doors for being flexible.

“One of the advantages to the install was we ended up raising the height of the door wedge during the build,” Bithell says. “The flexibility of the motors was a big plus for us. When we realized the bifold wedge was going to take up 30 inches, we found we had room to spare, so we bumped it up as high as we could. It was great that we had the option of doing a horizontal motor to gain that height. Having Brent (at Schweiss Doors) adding the extra 18 inches made a big difference.”